Welcome to Agrabah, City of Enchantment, where every beggar has a story and every camel has a tail! All of your favorite characters are here in this stage adaptation of the Disney hit, including Aladdin, Jasmine, and of course, the Genie. Filled with magic, mayhem, and flying carpet rides, audiences’ spirits will soar with excitement. Most of all, the tuneful, Academy award-winning score with songs including “A Whole New World” and “Friend Like Me” will certainly make this musical a favorite for many years to come!

This wildly warm-hearted theatrical experience kicks off when the Music Hall Royale (a hilariously loony Victorian musical troupe) “puts on” its flamboyant rendition of an unfinished Dickens mystery. The story itself deals with John Jasper, a Jekyll-and-Hyde choirmaster who is quite madly in love with his music student, the fair Miss Rosa Bud. Now, Miss Bud is, in turn, engaged to Jasper’s nephew, young Edwin Drood. Our title character disappears mysteriously one stormy Christmas Eve-but has Edwin Drood been murdered? And if so, then whodunnit? Musical numbers include The Wage of Sin, Perfect Strangers, Both Sides of the Coin, Don’t Quit While You’re Ahead and Moonfall. The giddy playfullness of this play-within-a-play draws the audience toward one of DROOD’S most talked-about features, which allows the audience to vote on the solution as prelude to the most unusual and hilarious finale!

An ambivalent Cinderella? A blood-thirsty Little Red Ridinghood? A Prince Charming with a roving eye? A Witch…who raps? They’re all among the cockeyed characters in James Lapine and Stephen Sondheim’s fractured fairy tale. When a Baker and his Wife learn they’ve been cursed with childlessness by the Witch next door, they embark on a quest for the special objects required to break the spell, swindling, lying to and stealing from Cinderella, Little Red, Rapunzel and Jack (the one who climbed the beanstalk). Everyone’s wish is granted at the end of Act One, but the consequences of their actions return to haunt them later, with disastrous results. What begins a lively irreverent fantasy in the style of “The Princess Bride” becomes a moving lesson about community responsibility and the stories we tell our children. With plenty of unforgettable roles, transpositions on demand and no chorus, “Into The Woods” is a great way to showcase a talented ensemble cast. And since the show’s emphasis is on character rather than spectacle, it is equally at home in large or intimate spaces. One of Sondheim’s most popular works, this timeless yet relevant piece is a rare modern classic.